A prudent president at a dangerous time

Tom Dillon says Jeffrey Engel’s new book on the first President Bush takes a worthwhile look at a time most of us lived  through without fully understanding.

WHEN THE WORLD SEEMED NEW: George H.W. Bush and the End of the Cold War.” By Jeffrey A. Engel. Houghton Mifflin Harcourt. 596 pages. $35.

Reviewed by Tom Dillon

when-the-world-seemed-newMost of us lived through the end of the Cold War in the early 1990s without realizing what a dangerous time it was for this country and others. The period included the first Gulf War, the fall of the Berlin Wall, the Tiananmen Square crackdown on democracy in China and the end of the Soviet Union, among many other events.

These 20-some years since invite perspective and a good rereading of the history, and that is just what Jeffrey A. Engel has given us in When the World Seemed New: George H.W. Bush and the End of the Cold War.

Engel, the founding director of the Center for Presidential History at Southern Methodist University, spent some 10 years in the research and writing of this book, and he clearly believes that the country was fortunate to have at its helm a dispassionate man who thought at great length before acting. Engel calls Bush “a prudent practitioner of Hippocratic diplomacy.”

Much of the book deals with the give-and-take between Bush and Soviet leader Mikhail Gorbachev during Gorbachev’s reform movement known as perestroika, and some of it shows Bush’s timidity during his first months in office following the presidency of Ronald Reagan.

He can do little, for example, to stop China’s crackdown on dissidents in Tiananmen Square in Beijing in 1989, despite his earlier service as ambassador to China and the friendships he developed during those years. He is, as well, slow to react to a coup attempt against Manuel Noriega in Panama.

But he puts together a coalition, notably including Soviet support, to drive Saddam Hussein’s Iraqi army out of Kuwait during the first Gulf War, and he “rode the stream of history,” as Engel puts it, through the fall of East Germany and eventual merging of the two Germanys into one.

As Engel puts it, Bush was “neither creative nor innovative, neither a radical or a revolutionary, but was instead content to follow ‘what worked.’ This is what made him a success.”

The book gives one pause several times. Bush and his allies agreed to no eastern expansion for NATO as Germany was reunited, and that promise was quickly broken when newly freed countries such as Hungary and Poland applied for NATO membership in the years after the end of the Cold War. That still rankles in Russia. As one general raged, “We have lost World War III without a shot being fired.”

Bush quietened such hawks as Dick Cheney – his secretary of defense – when Cheney advocated a continued hard line against the Soviets. Of course, Cheney had his time in power later on as vice president to President George W. Bush.

Then there’s the story of Col. Vladimir Putin, at the time a KGB operative in Dresden, East Germany. By himself, he stood down a crowd of hundreds of people attempting to take over the KGB headquarters in Dresden. Reinforcements never showed up, and Putin later left East Germany angered about what he called a “paralysis of power” in the USSR.

The end of the Cold War, of course, loosened new forces and hatreds in the world, most notably the wars that broke out in the Balkans after the dissolution of the country of Yugoslavia. That was left for George Bush’s successor, Bill Clinton, to deal with. That was something Bush and his team probably did not foresee.

Yet Engel says Bush’s prudent style was what was needed at the time. “We cannot know for certain what a triumphalist, a more hawkish, or a more virulently nationalist president would have meant for global security in 1989 and immediately after,” he says near the end of this lengthy volume.

But he adds, “ …there can be no doubt that a more bellicose president in the White House during such tumultuous times might well have produced a more dangerous result.”

 

  • Tom Dillon is a retired journalist who lives in Winston-Salem.
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The more things change…

Reviewed by Robert P. Moyer

TWO KINDS OF TRUTH. By Michael Connelly. Little Brown. 402 pages. $29.

twokinds‘Things change.”

On his way to downtown L.A. from San Fernando, Harry Bosch reflects on how the landscape, the office he’s going to, the former partner he’s meeting, have all changed. Not to mention his own life, of course. After a bitter court battle with the L.A.P.D., which pitted him against both the department and many colleagues, Harry is retired now. He works as a volunteer for the San Fernando Police Department. The two bodies on his latest case were still warm, however, when Harry learned once again, the more things change, the more they stay the same.

Harry’s former partner and an L.A. D.A. show up in San Fernando to announce the release of a killer Harry put away — and it’s Harry’s fault. DNA found in the sealed evidence box exonerates the guy, meaning it looks as though Harry planted the piece of evidence that convicted the killer. If they prove their case, and they have solid evidence, Harry’s credibility and career are fatally contaminated, as are all cases he solved. Harry knows he didn’t do it; the reader knows he didn’t do it. Harry muses that: “…there were two kinds of truth in this world. The truth that was the unalterable bedrock of one’s life and mission. And the other, malleable truth of politicians, charlatans, corrupt lawyers, and their clients, bent and molded to serve whatever purpose was at hand.”

To get to the truth, Harry does what he does best — he pores over all the evidence again and again until he finds the piece that doesn’t fit. With the help of his “brother from another mother,” “Lincoln Lawyer “Mickey Haller, he unravels the case in a highly dramatic finale.

But not before he tracks down the killers in the drug-related case in San Fernando. The case drops Harry into an undercover setting where his other case almost does him in. While deep in the situation, he meets someone who tests an “…essential brick” in the wall of who he is. Faced with depravity and danger, he passes from sympathy to action. He does what he needed to do.

So has Connelly, concocting once again what we have known all along, in a story we haven’t heard before. He truly is a master of the genre.

 

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Waiting for the gun

Bob Moyer’s New Year’s resolution is to review more books even when he’s on the road, as he often is. He just doesn’t know about this resolution yet, but one hopes he will after reading this post.

Reviewed by Robert P. Moyer

THE CUBAN AFFAIR. By Nelson DeMille. Simon and Schuster. 429 pages. $28.99.

cubanLooking for a book where you can dive into the action with the leathered hero, following him through adrenaline-soaked, body-filled pages until you both emerge, exhausted but fulfilled, with the partner of your choice and righteousness by your side?

Sorry, this is not that book.

Author Nelson DeMille takes so much time to bring The Cuban Affair to a climax that his narrative may qualify as the longest literary foreplay of 2017. It begins when three Cuban Americans come on to Mac to help them with a multi-million dollar project. They want to get millions of dollars and documents in 11 trunks out of Cuba. They need him for his boat and his body — he’s a veteran field officer who served in “Allfuckedupestan” and can handle himself and others in hostile situations. The plan is simple — the boat enters a fishing competition in Cuba with Mac’s first mate as captain. Mac, in the meantime, pretends to become a couple with the woman in the trio on an educational tour sponsored by Yale. Mac can’t turn down the offer, because it looked like “Sex, money, and adventure.”

When they get to Havana, the mock affair intimated in the double entendre title runs amok, while the clandestine affair turns into a tame tour of present landmarks and past crimes of the Castro regime. The only sparks in the narrative are the frequent witticisms offered by Mac.

Then, his first mate meets him on shore and gives him a gun. Now, there’s a rule in both mystery fiction and the theater that if you bring a gun onstage, you have to use it — because everyone is waiting for just that. Sure enough, this gun is hidden in the room, stowed in a waistpack, stuck in a waistband, dropped over a wall, while we are waiting for it to be fired. For hundreds of pages. Meanwhile,  “ ‘The best laid schemes o’ mice and men gang aft a-gley,’ “ meaning, according to Mac, “ ’This shit’s not working.’ ” As they make their way off the island, the gun is finally fired on page 374, relieving all that built-up tension.

Unfortunately, there’s not much pop to the conclusion; there’s more powder in the pistol and AK-47’s than there is in the plot, and we are left relatively unsatisfied by The Cuban Affair.

 

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Zombies, a giant snake and a Plum good story

Reviewed by Linda C. Brinson

HARDCORE TWENTY-FOUR. By Janet Evanovich. Random House Audio. Read by Lorelei King. 7 hours; 6 CDs. $32. Also available in print from Putnam.

hardcoreHow does she do it? This is No. 24 in Janet Evanovich’s Stephanie Plum series, and it’s just as outrageous, hilarious and entertaining as any of the 23 that came before.

Stephanie’s still working as a bounty hunter in Trenton, N.J., hauling in people who jump the bail that was supplied by her Cousin Vinnie, a bondsman. She’s still living in her apartment with her pet hamster, Rex. She’s still anything but the stereotype of a tough bounty hunter, and, as often happens, she’s pretty much broke. Her relationship with Joe Morelli, a cop, is getting a little more serious, but that doesn’t mean she isn’t still attracted to Ranger, the handsome man of few words (mostly “Babe…”) who owns a private security company and often comes to Stephanie’s rescue when she’s in danger or her current vehicle has been destroyed in one way or another. Lula, the colorful former “ho,” is still her sidekick, and Stephanie’s nearby family still drives her crazy even while frequently feeding her and helping her in other ways.

But, these familiar elements all just add to the fun as Stephanie deals with much that is fresh, inventive, wacky and sometimes dangerous in her latest outing.

First, her soft heart gets her into trouble. When she tries to haul the grave robber Simon Diggory back to jail, she agrees to his demands that she look after his pet boa constrictor, Ethel, even though she and Lula are decidedly not fond of large snakes. Adventures ensue as she tries to corral Ethel and keep her fed.

Then there seem to be zombies everywhere, stealing heads from corpses and even murdering people in order to extract their brains. Morelli’s latest case and Stephanie’s county hunting begin to overlap.

Then Diesel, who’s extremely good-looking but troublingly mysterious, reappears in Stephanie’s life – and in her apartment. Despite Morelli’s objections, Stephanie gives in to her soft heart again and lets Diesel stay. Although, really, since locked doors don’t stop him and he doesn’t take “no” for an answer, she has little choice. But is Diesel somehow connected with the weird and increasingly scary things that are happening around town?

Complicating life further, Stephanie’s Grandma Mazur has a new “boyfriend” in Florida, driving Stephanie’s mother to drink.

You get the picture. This book is pure fun. Lorelei King – who sounds exactly the way Stephanie should sound, not to mention Lula, Ranger, Grandma Mazur and all the others – brings the audio version vividly to life. Hang on!

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Hard-won rewards

Reviewed by Linda C. Brinson

THE MIDNIGHT LINE. By Lee Child. Random House Audio. Read by Dick Hill. 13 hours; 11 CDs. $45. Also available in print from Delacorte Press.

MidnightLineI’d heard about Lee Child’s Jack Reacher, of course – 21 or so best-selling thrillers, some short stories and, oh, a movie or two, among other appearances. But somehow I’d never read a Jack Reacher novel.

I seem to have picked a good one to start with. It’s a thriller, yes, with some rousing fight scenes in which Reacher, the giant former Army cop, takes down multiple opponents; corpses littered here and there, and some operations that are not exactly legal. As an audio book, The Midnight Line was sufficiently suspenseful to keep me listening and even driving extra miles to get to the conclusion of a scene. When I got to the end of the book, I was almost afraid to keep going, for fear of what the outcome might be. But I did.

Having read reviews of previous Reacher novels, I expected all that. Reacher is a West Point grad who left the Army as a major, with an honorable discharge after 13 years of service in which he learned quite a lot, thank you, including how to fight effectively and a strong, if sometimes unconventional, idea of morality. Now he’s a loner, a drifter, traveling the country with no possessions other than his toothbrush, finding situations, usually dangerous, that demand his attention. He’s unusually big – his enemies in this book refer to him as Bigfoot and the Incredible Hulk, among other names.

What I didn’t expect was a sensitive story that would leave me in tears.

This story begins when Reacher, taking a break during a bus ride to wherever, strolls through a small town in Wisconsin and spies a West Point class ring in a pawnshop window. Immediately interested, he goes into the store and examines the ring. It’s class of 2005 and very small, so he figures it must have belonged to a woman. There are initials been commissioned into the Army during a tough time, in the heat of the wars in Iraq and Afghanistan.

There must be a story there, he reasons, knowing from his own experiences that cadets don’t earn a West Point ring easily, and they don’t give them up unless circumstances are dire in one way or another.

Reacher sets out to find the woman and return her ring.

The quest takes him across the vast, unforgiving plains of the upper Midwest and into the wilds of Wyoming. Along the way, he discovers a darker story than even he imagined, and, increasingly, danger. Eventually, he joins forces with a missing-persons private detective from Illinois and a couple of other, unlikely people. To say more would spoil the reader or listener’s opportunity to follow Child’s expert unfolding of a story that is full not only of suspense and thrills, but also of pathos and humanity.

Dick Hill’s narration does a fine job of matter-of-factly telling a story that’s often gritty and harrowing, and occasionally heart-wrenching.

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Murder, sex and Barbie dolls

Reviewed by Linda C. Brinson

DEEP FREEZE. By John Sandford. Penguin Audio. Read by Eric Conger. 10 hours; 8 CDs. $40.

freezeIf you don’t think murder and assorted lesser crimes can be funny, you haven’t read any of John Sandford’s Virgil Flowers detective novels.

A detective with the Minnesota Bureau of Criminal Apprehension, Virgil gets sent into all manner of interesting backwoods and small-town locales to solve the crimes that might baffle the local cops. In the process, he encounters a lot of colorful characters. Sometimes he makes some of them angry. He doesn’t like to carry his gun, so angry people can be a problem.

This time out, Virgil is sent to Trippton, a small town along the Mississippi River where the body of the richest woman in town has been discovered frozen in a block of ice. Virgil’s been to Trippton before, when he busted the corrupt and homicidal local school board, most of whose members are still in prison.

Since Trippton is a small town, everybody already knows Virgil and has opinions about him. Sometimes that’s good; sometimes it’s not.

We know from the beginning who killed the woman. It happened right after the committee planning the 25th reunion for their class at the local high school met at her house. “Bug Boy,” who inherited the local pest-control business from his father and got the local Dunkin’ Donuts franchise in his divorce, has always had a secret passion for the woman, even though both of them had been married, for a while but not any longer, to other people. After their classmates leave the meeting, he, emboldened by her treating him more or less cordially, goes back into her house with a bottle of champagne and high hopes. When she slaps him and rakes his scalp with her fingernails, he instinctively moves to hit back, forgetting the heavy bottle of champagne in his hand. When he discovers that he killed her, he’s devastated, but he’s also determined to protect himself, since, he reasons, he didn’t mean to, so he’s not really guilty.

He leaves her on the living room floor, rearranging things a little in hopes that whoever finds her will think she fell down the stairs. Then he hurries off to establish his alibi by signing karaoke at a local bar.

When her body is found in the block of ice in a part of the river that’s thawed because of a sewage plant outflow, Bug Boy is as shocked as everybody else.

It takes Virgil a while to figure out that he’s looking for two people, the murderer and the person who dumped the woman, her purse and shoes into the river for whatever reason.

Meantime, his bosses pressure him into helping a private detective from California who has been sent to Trippton to stop a ring that’s got a hot business selling Barbie dolls that have been modified to be very vocally sexy. His efforts on that score raise a lot of ire because times are tough and a number of locals are making money off the Barbie-Os. When Virgil snoops around too much, he gets beaten up by a gang of irate women outside another local bar.

His investigations into both the murder, involving as it does a high school reunion, and the Barbie-O ring, lead him to discover a lot of the adultery and even B&D (bondage and discipline) that, along with ice fishing and snowmobiling, help the locals make it through the long, cold winters.

He also gathers more evidence that a lot of criminals are really pretty stupid, sometimes in an amusing sort of way.

This is a good crime novel well blended with a good satire on life in small-town Minnesota. Eric Conger, who has recorded a lot of Sandford’s books, does a great job of reading, appropriately deadpan.

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Awakening? Not so much

Bob Moyer loves to read, and his interests are wide and varied. He’s also discerning, and he doesn’t mind saying what he thinks – all of which makes him a good reviewer.

Reviewed by Robert P. Moyer

MRS. FLETCHER. By Tom Perrotta. Scribner. 307 pages. $26.

Mrs.-Fletcher_Tom-Perrotta_coverIt’s about porn.

The dust jacket claims it’s about sexual awakening, but that’s not what the author inflicts upon Mrs. Fletcher. He immerses his middle-class, middle-age Caucasian, divorced empty-nester in the pornography genre known as MILF, which features good-looking mothers, specifically the genre of Lesbian MILF. This fascination leads her to a couple of inappropriate decisions with an employee under her supervision, and one of her son’s former high school classmates. It is true that increasing numbers of women admit to watching porn. Mrs. Fletcher’s voice and frequency of viewing, however, smack of the male-writer’s-voice-in-a-female-protagonist’s-mouth syndrome. It’s not that good a fit.

Make no mistake – the author is an astute observer of middle-class life and our unconscious fumbling through our days. Many of his descriptions will make the reader simultaneously smile and wince as we see ourselves. He also captures quite aptly the way mothers and teen-age sons don’t communicate.

But it’s about porn.

Even the most nuanced portrait in the book, that of the son, ultimately goes askew in the two most graphic sexual encounters in the book. At the peak point, he spews language that could have been direct quotes from one of his mother’s chosen videos, a jarring contrast to his well-developed, amenable character. By his behavior, he unconsciously complies with the paradigm of how pornography has pre-empted our discourse – at least the author would have us see it so. Unfortunately, the tenor of our times and the author’s tone render us unable to suspend our disbelief. The author also does himself and his narrative no favors when he taints the denouement with a final stroke of MILF. The book is not about Mrs. Fletcher.

It’s about porn.

 

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The mysteries of life, solved – or are they?

Reviewed by Linda C. Brinson

ORIGIN. By Dan Brown. Random House Audio. Read by Paul Michael. 18 hours; 15 CDs. $50.

originRobert Langdon, intrepid Harvard professor of symbology and religious iconology, is at it again, with all the expected mystery, codes, drama, action, danger, beautiful women, evil villains, cosmic ideas and earth-shattering revelations.

My audio version of “Origin” arrived just as I was about to embark on a solo road trip, and it well served the purpose of entertaining me as I drove. I must admit, though, that this latest Dan Brown adventure also annoyed me at times.

The premise is that Edmond Kirsch, a billionaire, futurist and tech wizard who was one of Langdon’s early students at Harvard, is about to announce a major discovery that he is sure will change science and the world forever. To that end, Kirsch has arranged a gathering of several hundred people, including Langdon, at the Guggenheim Museum in Bilbao, Spain, for a presentation that also will be broadcast to millions of viewers around the world who are waiting with bated breath.

Kirsch, a well-known atheist, suggests to his good friend Langdon ahead of time that he’s found the answers to humankind’s most fundamental questions: where did we come from, and where are we going?

But before Kirsch can get to the heart of his dramatic presentation, the gathering is disrupted in an unthinkable way. When Langdon recovers from his shock, he realizes that Edmond’s revelations may be lost forever – unless he and Ambra Vidal, the beautiful director of the museum who had helped Edmond set up the event, take drastic measures. And Ambra Vidal just happens to be the future queen of Spain, engaged to the heir apparent, whose father, the king is near death.

The rest of the book takes place mostly over the course of one long night, as Langdon, still wearing the white tie and tails he’d donned for the gala presentation, and the future queen, in her dress and heels, dash around Spain in quest of Edmond’s secrets, pursued by people who are determined to stop them. Meanwhile, there’s the mystery of who stopped the presentation and why, and whether someone in the royal palace is involved. Oh, and Langdon and Ambra are guided by the most super of super computers, an A.I. assistant Kirsch created and set on a mission.

As you’d expect in a Dan Brown novel, “Origin” deals with some big questions, among them the conflict between science and religion. One of my frustrations is that, with a few notable exceptions, Brown depicts people as completely accepting either creationism or science, as believing that everything in the Bible must be taken literally or rejected outright. In reality, of course, many, many people already believe what “Origin” eventually suggests, that it’s possible to accept what science teaches us and also believe that a creator set a grand design into motion – and gave us the ability to understand the mysteries of science as well as the humanity to handle them wisely.

That serious oversimplification leads to perhaps my major frustration with the book: I found it hard to believe that Kirsch’s great “discovery” would have the profound effect the book suggests, or that people would go to extraordinary lengths to keep it quiet.

It’s also quite a stretch to believe the way Langdon and Ambra go tearing across Spain and into dangerous situations at many of the country’s most interesting tourist sites, barely hindered by their evening clothes, lack of sleep or various attacks and injuries – but all that comes with the territory in a Dan Brown tale.

Then there’s the clunky, cliché-filled and often overwritten narrative, sadly in need of an editor – but we don’t read Dan Brown books for the polished prose.

Despite the frustrations, I did keep listening and enjoyed the book on many levels. Brown takes us to some fascinating locations and incorporates intriguing history and cultural information. He incorporates a clever literary code – the password to Edmond’s revelation – that must be solved if Langdon and Ambra are to deliver Edmond’s discovery to the world.

And the mystery of who’s really the villain, and you’ve got a lively, entertaining story.

And in the end, there’s a cautionary tale worth pondering.

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The tough side of the Big Easy

devilsBob Moyer knows New Orleans, and he knows good police procedurals. He finds much to praise in this lively novel.

Reviewed by Robert P. Moyer

THE DEVIL’S MUSE. By Bill Loehfelm. Farrar Straus Giroux. 258 pages. $26.

Mardi Gras.

Most people see a chance to party, beads flying through the air, beads on the ground, people shouting at masked people on floats, happy children on their fathers’ shoulders.

Others, like rookie New Orleans police officer Maureen “Mo” Coughlin and her colleagues, see nothing but potential disaster, bullets flying through the air, bodies on the ground, people shooting at masked people on floats, wounded children in their fathers’ arms.

Stationed along the St. Charles parade route of the Krewe of Muses, the police are the thin blue line against the chaos just waiting to break out, the crowd so dense, so packed together that Mo “… could feel the collected body heat.”

When gunshots ring out, she and her partners spring into action. So does Bill Loehfelm’s prose, as he embarks on more than 200 pages of real-time narration, taking the reader along for a roller-coaster ride where no one knows what’s coming in the next paragraph.

The author has created a real police procedural, as the cops race a “hundred yard dash” to keep things under control. Along the way, Loehfelm takes us deep into New Orleans life, sending Maureen down “…streets like a redheaded Alice lost in some bizarre broke-down, broke-ass working-class Wonderland,” past an old lady outside a bar selling Zapp potato chips and taking “…a long drag on a long cigarette,” and past the “…best-looking cops she had ever seen” —“tall, powerful, bright-eyed, black-haired [German] shepherds.”

The “race” comes to a halt after following Mo through “…overdoses, shootings, foot chases, fornicating couples, irate neighbors, citizen journalists, zombie stories and gangland parleys,” enough action for a month, let alone one shift. The pace leaves Mo and her buddies just a little breathless and longing for a drink — before they do it all again the next shift.

In this continuing series, Loehfelm once again proves he knows how to laisser le bon lecture roulez.

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Something’s rotten in Denmark…

Reviewed by Linda C. Brinson

THE SCARRED WOMAN. By Jussi Adler-Olsen. Penguin Audio. Read by Graeme Malcolm. 12 CDs; 14 ½ hours. $45.

scarredOnly recently have I become aware of some of the fine mystery/detective fiction coming out of Scandinavia. Bob Moyer introduced me to the fiction of Norway’s Jo Nesbo, and that rewarding experience encouraged me to try this latest novel by Denmark’s leading crime writer, Jussi Adler-Olsen. One of these days, I’ll have to read the novels of Sweden’s literary star, the late Stieg Larsson.

The Scarred Woman is the seventh in Adler-Olsen’s Department Q series, which are highly popular in Denmark as books and movies. Not having read any of the previous books did not prevent me from becoming thoroughly caught up in this one, but it did make me want to turn to the earlier ones to catch up on the history. The lead detective is Carl Morck, who because of some of that history has been more or less banished to the basement of Copenhagen’s police headquarters, where he and a few dedicated colleagues work to solve cold cases. When budget problems threaten the very existence of their department, Carl and company are determined to make themselves indispensable.

Noting strong similarities between the recent murder of a woman in a park with an unsolved case a decade earlier, they begin looking for possible connections. Meanwhile, they’ve been ordered to let the star of a TV true-crime documentary show follow them around, much to Carl’s displeasure.

While all this is going on, a serial killer seems to be targeting young women who dabble in prostitution and other unsavory behaviors while living on welfare. We know, but the police do not, that their executioner is Anne-Line Svendsen, their social worker. Having apparently survived a nearly fatal cancer, Anne-Line is determined to rid the world of what she views as worthless young women.

What Anne-Line doesn’t know is that some of these young women are as criminally inclined as she is. Before long, it’s becoming tough to tell who’s the hunter and who’s the hunted.

As if all this weren’t enough, Rose Knudsen, a beloved part of the Department Q team, seems to be headed for a complete mental and emotional breakdown that could lead to suicide. Frantically, the team tries to figure out what in Rose’s past is prompting her self-destructive behavior.

The reader (or listener, if you’re enjoying the fine audio version) begins to see how all these threads are linked well before the police do. That knowledge heightens the suspense and tension. Will Carl and crew figure things out before it’s too late?

Like other Scandinavian crime fiction, this book is often as dark and chilling as an arctic winter. The grim portrayal of so many unsavory women is as striking as it is unusual, and it’s all an interesting commentary on the pitfalls of Denmark’s social welfare state. But the sometimes-grim tale is leavened by a good dose of humanity and even some welcome humor.

Graeme Malcolm does a fine job of reading the audio version, and despite the number of characters and plots, the narrative is both easy to follow and intensely compelling.

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